The video series “Dissolving Realities” by digital artist Ruben Fro are disturbing, yet fascinating. Via @Kottke.

The “Institute of Human Obscolescence” is creating thought provoking speculative fiction artwork about changes in labour from advances in artificial intelligence and possible “human obscolescence”.

One project is called “biological labour” and envisages how bodies may produce elecricity for mining cryptocurrency:

A single human body at rest radiates 100 watts of excess heat. We created a body-suit that uses thermoelectric generators to harvest the temperature differential between the human body and ambient and converts it into usable electricity. The electricity generated is then fed to a computer that produces cryptocurrency.

The Hyphen Labs collective is making brilliant projects at the intersection of technology, art, science, and the future. Check out there work here

Check out Ian Fischer’s beautiful oil paintings of clouds, via

A Short Video Introduction to Hilma af Klint, the Mystical Female Painter Who Helped Invent Abstract Art via [@openculture] (

Agree with this article from the Washington Post on how it seems that so much classical is being promoted as soothing or something to fall asleep too: “This is a deeply unsatisfying way to describe one of our most storied art forms. Even music that is superficially calm and slow can contain depth, tension and difficult themes. The industry sells classical music as a mellow monolith when it is in fact capable of stirring any and all emotions, serving any and all ends — divine and hellish. The way we talk about culture, any culture, shapes how we think about it, so we should not be so narrow in our choice of language.".

Via @openculture: Check out these free digitised art books from The Metropolitan Museum of Art.

Openculture on the creation of a new online database with works from overlooked female artists from the 15-17th century. More making invisible works visible?

Camille Claudel deserves to get more attention: The sensual world: Camille Claudel’s intimate and sensual take on classical sculpture.

How to make art more valuable: have it involved in a public spectacle. But this his hardly new, see the story of the Mona Lisa and how it got popular after it was stolen.

In effect, the auction house, with the support of Banksy, brought together the split ends of contemporary art: the work of traditional craftsmanship and the art-event, with its reactionary social media hue and cry.” More here.