2021-04-20T09:49:35+02:00

Apr 20, 2021 · 1 min read
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A quote from an article by David Grazian titled “The Production of Popular Music as a Confidence Game: The Case of the Chicago Blues” about the creation of authenticity:

A curious set of concerns develops in settings where patrons seek out cultural forms deemed “authentic,” or naturally indigenous to their locale. In these settings, consumers expect to be entertained by performances that conform to dominant stereotypes of the setting, with attention given to local dialect, styles of interaction, dress and so forth. But in addition, they also expect that these performances will be real, as genuine expressions of self rather than a charade performed merely for the audience’s benefit. As a result, producers face the arduous challenge of meeting a predetermined set of expectations without appearing as though such a feat requires any effort. While few contemporary consumers would be shocked by the revelation that motion pictures rely on tricky camerawork and special effects, or that their favorite actor routinely opts for plastic surgery, audiences rarely suspect that authentic culture and art—populist music, exotic handicrafts, ethnic cuisine—depend on similarly performative strategies of manipulation and impression management.

Via an article on the sociology of the on the Everyday Sociology blog.

Wouter Van Rossem
Authors
Wouter Van Rossem is a researcher on the intersection between social science and computer science. He previously worked on the European Research Council (ERC) funded project, Processing Citizenship, where he investigated how data infrastructures for population processing co-produce citizens, Europe, and territory. He completed his PhD at the University of Twente in the Netherlands and is still working on publications stemming from these impactful projects. In addition to his academic pursuits as a PhD at the University of Twente in the Netherlands, he brings a diverse background as a software engineer, having worked in various companies and at the European Commission’s Joint Research Centre in Italy. His diverse background, spanning both theoretical and hands-on knowledge, reflects his keen interest in exploring the intricate interconnections between technology and society.